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I pray for faith, I long to trust; I listen with my heart, and hear A Voice without a sound: 'Be just, Be true, be merciful, revere The Word within thee: God is near! 'A light to sky and earth unknown Pales all their lights: a mightier force Than theirs the powers of Nature own, And, to its goal as at its source, His Spirit moves the Universe. 'Believe and trust. Through stars and suns, Through life and death, through soul and sense, His wise, paternal purpose runs; The darkness of His providence Is star-lit with benign intents.' O joy supreme! I know the Voice Like none beside on earth or sea; Yea, more, O soul of mine, rejoice, By all that He requires of me, I know what God himself must be.... I fear no more. The clouded face Of Nature smiles; through all her things Of time and space and sense I trace The moving of the Spirit’s wings, And hear the song of hope she sings.

Monday
Aug 24, 2026

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About Sir John Vanbrugh

Sir John Vanbrugh

Sir John Vanbrugh

Sir John Vanbrugh (pronounced "Van'-bru") (January 24, 1664? - March 26, 1726) was an English architect and dramatist, perhaps best known as the designer of Blenheim Palace. He wrote two argumentative and outspoken Restoration comedies, The Relapse (1696) and The Provoked Wife (1697), which have become enduring stage favourites but originally occasioned much controversy.

Vanbrugh was in many senses a radical throughout his life. As a young man and a committed Whig, he was part of the scheme to overthrow James II, put William III on the throne and protect English parliamentary democracy, dangerous undertakings which landed him in the dreaded Bastille of Paris as a political prisoner. In his career as a playwright, he offended many sections of Restoration and 18th-century society, not only by the sexual explicitness of his plays, but also by their messages in defence of women's rights in marriage. He was attacked on both counts, and was one of the prime targets of Jeremy Collier's Short View of the Immorality and Profaneness of the English Stage . In his architectural career, he created what came to be known as English Baroque. His architectural work was as bold and daring as his early political activism and marriage-themed plays, and jarred conservative opinions on the subject.

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