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I know there is a God, and that He hates injustice and slavery. I see the storm coming, and I know that His hand is in it. If he has a place and work for me — and I think He has — I believe I am ready. This comment was made in a private conversation with Newton Bateman, superintendent of public instruction for the state of Illinois, a few days before the election of 1860. During the election of 1960, Senator John F. Kennedy used the same words in a speech to the United Steelworkers of America convention, Atlantic City, New Jersey, September 19, 1960. — Freedom of Communications, final report of the Committee on Commerce, United States Senate, part 1, p. 286 (1961). Senate Report. 87-994. As president, he used a variation of these words at the 10th annual presidential prayer breakfast, March 1, 1962. — Public Papers of the Presidents of the United States: John F Kennedy, 1962, p. 176.

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Apr 22, 2026

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Quote Author: Olga Broumas

Olga Broumas

Olga Broumas

Olga Broumas (born 6 May 1949, Hermoupolis), is the author of 7 books of poetry, collected in RAVE: 1975-1999, and 4 books of translations of the Greek Nobel Laureate poet Odysseas Elytis, collected in EROS, EROS, EROS, as well as a CD recording of parts of the above, called Olga Broumas: A Reader's Companion. She is also known for the innovative practice of co-authoring poetry collections.

Born and raised in Greece, Broumas secured a fellowship through the Fulbright program to study in the United States at the University of Pennsylvania; she earned her Bachelor's degree in architecture. She later went on to earn a Master's degree in creative writing from the University of Oregon.

Broumas was selected by Stanley Kunitz for the Yale Younger Poets Series in 1977, the first non-native speaker of English to receive this award. Other honors have included a Guggenheim Fellowship and a fellowship from the National Endowment for the Arts. She has been Poet-in-Residence and Director of Creative Writing at Brandeis University since 1995. She spends her summers on Cape Cod, where she, in the Eighties, founded and taught at a school for female artists called Freehand, Inc.

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