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I broke my leg — after doing the first four days of A Midsummer's Night Dream — at Big Bear in a toboggan accident where I was almost killed. I was in the front of the toboggan with three big guys in back of me with a lot of inertia of the heavy weight, and my foot slipped off the toboggan, went right in the snow and split me up the middle. If it hadn't broken my femur at the exact time, I would have been killed.... While I was recuperating there (Hollywood Presbyterian Hospital) to get back on the set of A Midsummer's Night Dream — they were waiting for me — where I did that entire picture in a plaster of Paris cast covered up by Olivia De Havilland's dress ... while I'm at the Presbyterian Hospital and I'm recuperating, my wife (Jan) is born on the 6th floor. Now that's a billion-to-one shot.

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Oct 02, 2026

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Quote Author: Alfred Bunn

Alfred Bunn

Alfred Bunn

Alfred Bunn (born April 8, 1796 in London; died December 20, 1860 in Boulogne-sur-Mer) was an English theatrical manager.

He was appointed stage-manager of Drury Lane Theatre, London, in 1823. In 1826 he was managing the Theatre Royal, Birmingham, and in 1833 he undertook the joint management of Drury Lane and Covent Garden, London. In this undertaking he met with vigorous opposition. A bill for the abolition of the patent theatres was passed in the House of Commons, but on Bunns petition was thrown out by the House of Lords. He had difficulties first with his company, then with the lord chamberlain, and had to face the keen rivalry of the other theatres. A longstanding quarrel with William Charles Macready resulted in the tragedian assaulting the manager. In 1840, Bunn was declared a bankrupt, but he continued to manage Drury Lane and the Surrey Theatre until 1848.

Artistically, his control of his English theatres was highly successful. Nearly every leading English actor of the time played under his management, and he made a courageous attempt to establish English opera, producing the principal works of Michael Balfe. He had some gift for writing, and most of the libretti of these operas were translated by himself. In Tile Stage Before and Behind the Curtain (3 vols., 1840), he gave a full account of his managerial experiences.

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