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May I make two citations from the words of a discerning editorial writer, not one of my faith, but one of much faith: 'If we neglect the divine ... and give ourselves over wholly to the human,' he said, 'we may certainly count upon nothing but the triumph of pessimism.... True optimism must rest upon a calm, unshakable faith in eternal life and in the unlimited goodness of him who gives it.' Richard Louis Evans		Wednesday Feb 25, 2026
		Quotes: 53419 Authors: 9969

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This is the essence of the transaction between storyteller and audience. The 'true' story is not the one that exists in my mind; it is certainly not the written words on the bound paper that you hold in your hands. The story in my mind is nothing but a hope; the text of the story is the tool I created in order to try to make that hope a reality. The story itself, the true story, is the one that the audience members create in their minds, guided and shaped by my text, but then transformed, elucidated, expanded, edited, and clarified by their own experience, their own desires, their own hopes and fears.

Orson Scott Card

Quote Author: Orson Scott Card

Orson Scott Card

Orson Scott Card

Orson Scott Card (born August 24, 1951) is a bestselling American author, working in several genres, but primarily known for his science fiction work. His novel Ender's Game and its sequel Speaker for the Dead both won the Hugo Award and the Nebula Award, making Card the only author (as of 2007) to win both of science fiction's top prizes in consecutive years. Card has written, "We care about moral issues, nobility, decency, happiness, goodness—the issues that matter in the real world, but which can only be addressed, in their purity, in fiction."

Other Orson Scott Card Quotes

It was just him and me. He fought with honor. If it weren't for his honor, he and the others would have beaten me together. They might have killed me, then. His sense of honor saved my life. I didn't fight with honor ... I fought to win.

In order to learn, one must change one's mind.

Unemployment is capitalism's way of getting you to plant a garden.

Whether he likes it or not, [he] cannot remain incognito forever. He has outraged too many wise men and pleased too many fools to hide behind his too-appropriate order to assume leadership of the forces of stupidity he has marshalled, or his enemies will unmask him in order to better understand the disease that has produced such a warped and twisted mind.

Even if there's no such thing as free will, we have to treat each other as if there were free will in order to live together in society. Because otherwise, every time somebody does something terrible, you can't punish him, because he can't help it, because his genes or his environment or God made him do it, and every time somebody does something good, you can't honour him because he was a puppet, too. If you think that everybody around you is a puppet why bother talking to them at all? Why even try to plan anything or create anything, since everything you plan or create or desire or dream of is just acting out the script your puppeteer built into you.

The priests say that God created our souls, and that just puts us under the control of another puppeteer. If God created our will, then he's responsible for every choice we make. God, our genes, our environment, or some stupid programmer keying in code at an ancient terminal there's no way free will can ever exist if we as individuals are the result of some external cause.

I'll put it bluntly. Human beings are free except when humanity needs them. Maybe humanity needs you. To do something. Maybe humanity needs me to find out what you're good for. We might both do despicable things, but if humankind survives, then we were good tools.

Ender stepped under the water and rinsed himself, took the sweat of combat and let it run down the drain. All gone, except they recycled it and we'll be drinking Bonzo's blood water in the morning. All the life gone out of it, but his blood just the same, his blood and my sweat, washed down in their stupidity or cruelty or whatever it was that made them let it happen.

At first he thought he felt bad because he was afraid of leading an army, but it wasn't true. He knew he'd make a good commander. He felt himself wanting to cry. He hadn't cried since the first few days of homesickness after he got here. He tried to put a name on the feeling that put a lump in his throat and made him sob silently, however much he tried to hold it down. He bit down on his hand to stop the feeling, to replace it with pain. It didn't help.

Isn't it possible, he wondered, for one person to love another without trying to own each other? Or is that buried so deep in our genes that we can never get it out? Territoriality. My wife. My friend. My lover. My outrageous and annoying computer personality who's about to be shut off at the behest of a half-crazy girl with OCD on a planet that I never heard of and how will I live without [her] when she's gone?

... All these readers have placed themselves inside this story, not as spectators, but as participants, and so have looked at the world, not with my eyes only, but also with their own.

The danger that keeps me just a little frightened with every book I write, however, is that I'll overreach myself once too often and try to write a story that I'm just plain not talented or skilful enough to write. That's the dilemma every storyteller faces. It is painful to fail. But it is far sadder when a storyteller stops wanting to try.

How clever of me. I have found such a pathway into hell that I can never get back out.

A strange thing happened then. The Speaker agreed with her that she had made a mistake that night, and she knew when he said the words that it was true, that his judgement was correct. And yet she felt strangely healed, as if simply speaking her mistake were enough to purge some of the pain of it. For the first time, then, she caught a glimpse of what the power of speaking might be. It wasn't a matter of confession, penance, and absolution, like the priests offered. It was something else entirely. Telling the story of who she was, and then realizing that she was no longer the same person. That she had made a mistake, and the mistake had changed her, and now she would not make the mistake again because she had become someone else, someone less afraid, someone more compassionate.

There was no doubt now in Ender's mind. There was no help for him. Whatever he faced, now and forever, no one would save him from it. Peter might be scum, but he had been right, always right; the power to cause pain is the only power that matters, the power to kill and destroy, because if you can't kill then you are always subject to those who can, and nothing and no one will ever save you.

[It] was written and sold. I knew it was a strong story because I cared about it and believed in it. I had no idea that it would have the effect it had on the audience. While most people ignored it, of course, and continue to live full and happy lives without reading it or anything else by me, there was still a surprisingly large group who responded to the story with some fervency.

But I hope that in the lives of [the characters], you will find stories worth holding in your memory, perhaps even in your heart. That's the transaction that counts more than best-seller lists, royalty statements, awards, or reviews. Because in the pages of this book, you and I will meet one-on-one, my mind and yours, and you will enter a world of my making and dwell there, not as a character that I control, but as a person with a mind of your own. You will make of my story what you need it to be, if you can. I hope my tale is true enough and flexible enough that you can make it into a world worth living in.

Well, I'm your man. I'm the bloody bastard you wanted when you had me spawned. I'm your tool, and what difference does it make if I hate the part of me that you most need? What difference does it make that when the little serpents killed me in the game, I agreed with them, and was glad.

This is the essence of the transaction between storyteller and audience. The 'true' story is not the one that exists in my mind; it is certainly not the written words on the bound paper that you hold in your hands. The story in my mind is nothing but a hope; the text of the story is the tool I created in order to try to make that hope a reality. The story itself, the true story, is the one that the audience members create in their minds, guided and shaped by my text, but then transformed, elucidated, expanded, edited, and clarified by their own experience, their own desires, their own hopes and fears.

Maybe we're the fools, for thinking we know things. Maybe humans are the only ones who can deal with the fact that nothing can ever be known at all.

I have too many secrets. For all these years I've been a speaker for the dead, uncovering secrets and helping people to live in the light of truth. Now I no longer tell anyone half of what I know, because if I told the whole truth there would be fear, hatred, brutality, murder, war.