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Toward seven o'clock every morning, I leave my study and step Out on the bright terrace; the sun already burns resplendent Between the shadows of the fig tree, makes the low wall of coarse Granite warm to the touch. Here my tools lie ready and waiting, Each one an intimate, an ally: the round basket for weeds: The zappetta, the small hoe with a short haft ... There's a rake here as well, at at times a mattock and spade, Or two watering cans filled with water warmed by the sun. With my basket and small hoe in hand, facing the sun, I Go out for my morning walk.

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Jul 15, 2025

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Quote Author: Christopher Pearse Cranch

Christopher Pearse Cranch

Christopher Pearse Cranch

Christopher Pearse Cranch (March 8, 1813 - January 20, 1892) was a United States writer and artist.

Cranch was born in the District of Columbia. He attended Columbian College and Harvard Divinity School. He briefly held a position as a Unitarian minister. However, his involvement with the transcendentalist school diminished the demand for his services. Later, he pursued various occupations: a magazine editor, caricaturist, children's fantasy writer (the Huggermugger books), poet (The Bird and the Bell with Other Poems in 1875), translator, and landscape painter.

He is now remembered chiefly in connection with the Transcendentalists. His caricatures of Ralph Waldo Emerson were later collected as Illustrations of the New Philosophy: Guide. He edited for a time a Transcendentalist publication, and was a member of the Transcendental Club. He resided mostly in Cambridge, Massachusetts. As a painter, Cranch painted landscapes allong the lines of Thomas Cole, the Hudson river school, and the Barbazon school in France. In one foray into historical painting, Cranch depicted the burning of P. T. Barnum's American Museum in New York City. Later in life, Cranch painted scenes from Venice and Italy.

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