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If a nonnegative quantity was so small that it is smaller than any given one, then it certainly could not be anything but zero. To those who ask what the infinitely small quantity in mathematics is, we answer that it is actually zero. Hence there are not so many mysteries hidden in this concept as they are usually believed to be. These supposed mysteries have rendered the calculus of the infinitely small quite suspect to many people. Those doubts that remain we shall thoroughly remove in the following pages, where we shall explain this calculus.

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Apr 28, 2025

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Quote Author: Pietro Mascagni

Pietro Mascagni

Pietro Mascagni

Pietro Mascagni (December 7, 1863 - August 2, 1945) was an Italian composer, most noted for his operas. His 1890 masterpiece, Cavalleria rusticana , caused one of the greatest sensations in opera history and singlehandedly ushered in the Verismo movement in Italian dramatic music. However, though it has been stated that Mascagni, like Leoncavallo, was a "one-opera man" who could never repeat his first success, this is inaccurate. L'amico Fritz and Iris have been popular in Europe since their respective premieres; in fact, Mascagni himself claimed that at one point Iris was performed in Italy more often than Cavalleria (cf. Stivender). It is certainly a better vehicle for a popular lyric soprano.

Mascagni wrote a total of fifteen operas, plus an operetta, several orchestral and vocal works, as well as songs and piano music. He enjoyed immense success during his lifetime, both as a composer and conductor of his own and other people's music. If he never repeated the international success of Cavalleria, it was probably because Mascagni refused to copy himself. The variety of styles in his operas—the Sicilian passion and warmth of Cavalleria, the exotic flavor of Iris, the idyllic breeze that ventilates the charming L'amico Fritz and Lodoletta, the Gallic chiaroscuro of Isabeau, the steely, Veristic power of Il piccolo Marat, the overripe postromanticism of the lush Parisina—demonstrate a versatility that none of the other Veristi could boast, Puccini included.

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