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I don't think of power in terms of conquering people. I don't think of it as something to be imposed. That kind of power seldom lasts. But you should realize that power is a constant in the world. You shape your perceptions, or someone shapes them for you. You do what you want to do, or you respond to someone else's plan for you. To me, ultimate power is the ability to produce the results you desire most and create value for others in the process. Power is the ability to change your life, to shape your perceptions, to make things work for you and not against you. Real power is shared, not imposed. It's the ability to define human needs and to fulfill them—both your needs and the needs of the people you care about. It's the ability to direct your own personal kingdom—your own thought processes, your own behavior—so you produce the precise results you desire.

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Apr 03, 2025

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Quote Author: Ned Rorem

Ned Rorem

Ned Rorem

Ned Rorem (born October 23, 1923) is a noted American composer and diarist. He is best known and praised for his song settings.

He was born in Richmond, Indiana and received his early education in Chicago at the University of Chicago Laboratory Schools, the American Conservatory and then Northwestern University. Later, Rorem moved on to the Curtis Institute in Philadelphia and finally the Juilliard School in New York City.

During the time he lived in Morocco and Paris (1949-57), his song texts came from several languages.

In 1969 he published his Paris Diary, which, with his later diaries, has brought him some degree of notoriety, as he is honest about his and others' sexuality, describing his relationships with Leonard Bernstein, Noel Coward, Samuel Barber, and Virgil Thomson, and outing at least a few people (Aldrich and Wotherspoon, eds., 2001). Rorem has written extensively about music as well. These essays are collected in anthologies such as "Setting the Tone", "Music From the Inside Out", and "Music and People". His music prose is much admired, not least for its barbed observations about prominent musicians such as Pierre Boulez. Rorem has composed in a chromatic tonal idiom throughout his career, and he is not hesitant to attack the orthodoxies of the avant-garde.

His notable students include Daron Hagen.

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