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People tend to think I'm always aggressive and strong. The truth is, I've always been wracked with self-loathing, which leads me into terrible, self paralysing depressions. When I go down to this place, I feel so empty and overwhelmed I can barely move. But perversely, I find these traits in a man unacceptable — I can't stand someone who can out-depress me. You know that scene in Babe where the farmer clog-dances for the pig? Sometimes I'm the sick pig and I need a farmer to cheer me up. And when things get bad, my boyfriend does dance for me, and it never fails to make me laugh. He's a pretty snappy dancer.

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Feb 21, 2026

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Quote Author: Alfred Éric Leslie Satie

Alfred Éric Leslie Satie

Alfred Éric Leslie Satie

Alfred Éric Leslie Satie (Honfleur, 17 May 1866 - Paris, 1 July 1925) was a French composer and pianist. Dating from his first composition in 1884, he signed his name as Erik Satie.

Satie was introduced as a "gymnopedist" in 1887, shortly before writing his most famous compositions, the Gymnopédies . Later, he also referred to himself as a "phonometrograph" or "phonometrician," meaning "someone who measures (and writes down) sounds" — he preferred this definition of his profession to "musician," after having been called "a clumsy but subtle technician" in a book on contemporary French composers in 1911.

Satie also left a remarkable set of writings: he wrote for publications ranging from the dadaist 391 to the American Vanity Fair . Although in later life he prided himself on always publishing his work under his own name, in the late nineteenth century he appears to have used pseudonyms like Virginie Lebeau and François de Paule for some of his published writings.

Satie was one of the colourful figures of the early 20th century Parisian avant-garde. He was a precursor to later artistic ideas like minimalism, repetitive music and Theatre of the Absurd.

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