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We believe that the possibility of the future far exceeds the accomplishment of the past. We review the past with the common sense, but we anticipate the future with transcendental senses. In our sanest moments we find ourselves naturally expecting or prepared for far greater changes than any which we have experienced within the period of distinct memory, only to be paralleled by experiences which are forgotten. Henry David Thoreau		Thursday Oct 16, 2025
		Quotes: 53419 Authors: 9969

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The dignity of the artist lies in his duty of keeping awake the sense of wonder in the world. In this long vigil he often has to vary his methods of stimulation; but in this long vigil he is also himself striving against a continual tendency to sleep. Marc Chagall

Quote Author: Marc Chagall

Marc Chagall

Marc Chagall

Marc Chagall (Yiddish: מאַרק שאַגאַל‎; Russian: Марк Захарович Шага́л Mark Zaharovic Sagal; Belarusian: Мойша Захаравіч Шагалаў Mojša Zaharavič Šagałaŭ) (7 July 1887 - 28 March 1985) was a French painter of Russian-Jewish origin who was born in Belarus, then part of the Russian Empire. Among the celebrated painters of the 20th century, he is associated with the modern movements after impressionism.

Other Marc Chagall Quotes

When I am finishing a picture, I hold some God-made object up to it - a rock, a flower, the branch of a tree or my hand - as a final test. If the painting stands up beside a thing man cannot make, the painting is authentic. If there's a clash between the two, it's bad art.

Great art picks up where nature ends.

I adore the theater and I am a painter. I think the two are made for a marriage of love. I will give all my soul to prove this once more.

The dignity of the artist lies in his duty of keeping awake the sense of wonder in the world. In this long vigil he often has to vary his methods of stimulation; but in this long vigil he is also himself striving against a continual tendency to sleep.

Art is the unceasing effort to compete with the beauty of flowers and never succeeding.

When I am finishing a picture, I hold some God-made object up to it a rock, a flower, the branch of a tree or my hand as a final test. If the painting stands up beside a thing man cannot make, the painting is authentic. If there's a clash between the two, it's bad art.