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In contemporary American public culture, the legacy of the consumer revolution of the 1960s is unmistakable. Today, there are few things more beloved of our masses than the figure of the cultural rebel, the defiant individualist resisting the mandates of the machine civilization. Whether he is an athlete decked out in a mowhawk and multiple-pierced ears, a policeman who plays by his own rules, an actor on a motorcycle, a soldier of fortune with explosive bow and arrow, or a rock star in leather jacket and sunglasses, the rebel has become the paramount cliché of our popular entertainment, and the pre-eminent symbol of the system he is supposed to be subverting. In advertising especially, he rules supreme Thomas Frank		Friday Jul 18, 2025
		Quotes: 53419 Authors: 9969

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The best thing you can do for a song is to hear it on the radio and to imagine what it could mean to you and then kinda forget the words. Just imagine how you felt when you heard it, if it was one of your songs. If it became one of your songs. If it meant whatever it meant for you and as soon as you see the visual, you get a rapid eye movement relationship with the song instead of an imaginative one. I think that can be dangerous because I don't think I'd want to be listening to a song on the radio and thinking about the video. Whatever that one interpretation was

Quote Author: Ric Ocasek

	Ric Ocasek
	Ric Ocasek (born Richard Otcasek on March 23, 1949, in Baltimore, Maryland) is the former vocalist and frontman for The Cars and a producer for several other groups including Weezer, Raffi, NOFX, Bad Brains, Three Six Mafia, Big Pun, No Doubt, Deborah Gibson and Suicide. Read More

Other Ric Ocasek Quotes

Refusing to ask for help when you need it is refusing someone the chance to be helpful.

Secrecy is the enemy of efficiency, but don't let anyone know it.

Never mind a world That can't see past brutality Answers are getting the gas Live gestures Have constantly been used As weapons'

While I was in Ann Arbor I heard that Boston was a good place to play acoustic music because they still had plenty of clubs. So I moved to Cambridge. I roomed with a Harvard student. I got an apartment the first day I got to town by going to Harvard housing, so I could get cheaper rates, $80 a month or something. I even went to some Harvard classes, just to sit in, because I enjoyed the performance of the professors. The teachers were always so theatrical at Harvard, intelligent show business people, that could keep your attention, and that I think, is the great advantage of Harvard. So I used to go for the show, no matter what subject it was. You could just drop in to a class and watch, it wouldn't matter if you went to the school. No one even asked. The show was good and you would learn something, but you wouldn't get any credit for it. I didn't need the credit

The most important thing to a lot of people, is to belong to something that's hip or whatever. To be a part of something that's not society, just a clique. And they get real sidetracked trying to think like everyone else. They don't realize that you have to motivate yourself to do things you want to do. Some people just like going along for the ride. And those are the kind of people I don't get along with too well.

I don't know because I don't think about it much in those terms. I don't think about what is the greatest thing that ever happened to me. It seems to me that things don't last long anyway. Your high points and your low points. High points don't last that long, it's a high and it happens. It's great at the moment but you really can't live on it. There's gotta be something higher - - and lower. But I have all kinds of ups and downs, highs and lows, I'm always chasing them

If I would have been in a different world Like I frequently am when I see you Oh I might have missed All the ways you try to give If only you knew what you do to me Sometimes I think about eternity If it would have been another time I wonder what you would of had in mind.

If you want to talk about it, I got the time When you're looking so enchanted, you cover my mind If you think I'll wait forever, maybe you're right There's no such thing as now or never, there's only twilight

Once they're on paper, they're gone. I like to do as much with the words, as far as image goes, so that it's really left open for a lot of things, even though I remember a specific impression of something I had at the time. I can't say a song is about this or that; in fact, I wouldn't even want to. I just prefer to have people live it anyway they want. Because it's theirs after that. There's nothing I can do about it anymore

People are strange. We're all morticians. Hey, what's on TV?'

Sometimes you want to run away Sometimes you think you do But you never had a dream like this before And you don't want to ask for more Sometimes you leave a mark Before you know the score

The best thing you can do for a song is to hear it on the radio and to imagine what it could mean to you and then kinda forget the words. Just imagine how you felt when you heard it, if it was one of your songs. If it became one of your songs. If it meant whatever it meant for you and as soon as you see the visual, you get a rapid eye movement relationship with the song instead of an imaginative one. I think that can be dangerous because I don't think I'd want to be listening to a song on the radio and thinking about the video. Whatever that one interpretation was

There's more to light than the opposite of dark.

They're caught where there's no way out or where you can't see out. What are you going to do about it? I don't have the answer. If I did there would be no insane asylums. But I see a lot of people, a lot of my friends in the same predicament. Many times in my life, I was there myself.

This environment [New York] is heaven. I love walking down the street and seeing faces and drama and happiness and sadness and dirt and cleanliness. I could never be a country person, sitting around trees trying to write a song. I would rather be in the middle of society, whether it's growing or crumbling