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One good man, one man who does not put on his religion once a week with his Sunday coat, but wears it for his working dress, and lets the thought of God grow into him, and through and through him, till everything he says and does becomes religious, that man is worth a thousand sermons — he is a living Gospel — he comes in the spirit and power of Elias — he is the image of God. And men see his good works, and admire them in spite of themselves, and see that they are Godlike, and that God's grace is no dream, but that the Holy Spirit is still among men, and that all nobleness and manliness is His gift, His stamp, His picture: and so they get a glimpse of God again in His saints and heroes, and glorify their Father who is in heaven.

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Mar 12, 2026

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Quote Author: Ernest Miller Hemingway

Ernest Miller Hemingway

Ernest Miller Hemingway

Ernest Miller Hemingway (July 21, 1899 - July 2, 1961) was an American novelist, short-story writer, and journalist. Nicknaming himself "Papa" while still in his 20s, he was part of the 1920s expatriate community in Paris known as "the Lost Generation", as described in his memoir A Moveable Feast. He led a turbulent social life (married four times and allegedly had multiple extra-marital relationships over many years [ citation needed ] ). Hemingway received the Pulitzer Prize in 1953 for The Old Man and the Sea. He received the Nobel Prize in Literature in 1954. During his later life, Hemingway suffered from increasing physical and mental problems. In July 1961, after being released from a mental hospital where he'd been treated for severe depression [ citation needed ] , he committed suicide at his home in Ketchum, Idaho with a shotgun.

Hemingway's distinctive writing style is characterized by economy and understatement, in contrast to the style of his literary rival William Faulkner. It had a significant influence on the development of twentieth-century fiction writing. His protagonists are typically stoic males who exhibit an ideal described as "grace under pressure." Many of his works are now considered canonical in American literature.

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