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One of the most dramatic examples of the gaps between the world's technological progress and moral rectitude is nuclear weapons. The material tools of destruction have become so powerful that the world now lives under the constant shadow of total annihilation. The stakes are enormous, and mistakes never carried a higher risk. It is no longer a question of self-defense. It is a question of self-preservation. Nuclear war is not a military problem. It is a moral dilemma. The nuclear race involves not only a negation of law, but a negation of morality. The problem cannot be solved by practical expediency. Its only resolution lies in the application of the moral imperatives on which our religions and your nation was founded. This problem will be one of your generations' greatest challenges. How well equipped you are to handle it will determine your destiny.

Thursday
Feb 06, 2025

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Quote Author: William Blake

William Blake

William Blake

William Blake (November 28, 1757 - August 12, 1827) was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake's work is today considered seminal and significant in the history of both poetry and the visual arts. He was voted 38th in a poll of the 100 Greatest Britons organised by the BBC in 2002.

According to Northrop Frye, who undertook a study of Blake's entire poetic corpus, his prophetic poems form "what is in proportion to its merits the least read body of poetry in the English language." Others have praised Blake's visual artistry, at least one modern critic proclaiming Blake "far and away the greatest artist Britain has ever produced." Once considered mad for his idiosyncratic views, Blake is highly regarded today for his expressiveness and creativity, and the philosophical vision that underlies his work. He himself once indicated, "The imagination is not a State: it is the Human existence itself."

While his visual art and written poetry are usually considered separately, Blake often employed them in concert to create a product that at once defied and superseded convention. Though he believed himself able to converse aloud with Old Testament prophets, and despite his work in illustrating the Book of Job, Blake's affection for the Bible was accompanied by hostility for the established Church, his beliefs modified by a fascination with Mysticism and the unfolding of the Romantic movement around him. Ultimately, the difficulty of placing William Blake in any one chronological stage of art history is perhaps the distinction that best defines him.

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